@2026 by mezzanine film, inc.









DREAD BEAT AN BLOOD
directed by Franco Rosso
1979, U.K., 46m, DCP

L.A. premiere 2K restoration by the British Film Institute, released by Seventy-Seven

followed by:

LINTON KWESI JOHNSON IN CONCERT
directed by Roger Thomas
1985, U.K., 26m, DCP

Thursday, July 30
2220 Arts + Archives 
2220 Beverly Blvd, Los Angeles, CA 90057

doors/bar: 7:30pm
film: 8:00pm

“If any young artists need to know about longevity and integrity, Linton Kwesi Johnson is the one to look to... He knew his path and he walked it. His words are still relevant and that reggae bass is still vibrating.” -Steve McQueen

We are thrilled to present this stunning verité documentary about the legendary dub poet Linton Kwesi Johnson (LKJ)—which paints a vivid cinematic portrait of Brixton in the late 1970’s on the cusp of Thatcherism—paired with a rare concert film originally broadcast on British television. 

A member of the British Black Panthers, the 27-year-old LKJ we see on screen had already become an essential voice for British African-Caribbean youth, pioneering a genre known as dub poetry: militant passionate verse about the Black liberation struggle in Britain set to heavy dub. Director Franco Rosso (Babylon) kinetically documents LKJ’s live poetry and reggae performances; his recording and mixing sessions with producer Dennis Bovell; and his activism, including a powerful protest for the unjustly imprisoned Black Briton George Lindo, about whom Johnson wrote “It Dread inna Inglan.” The film gained national attention when its TV premiere was delayed by the BBC until Margaret Thatcher was elected, so great was the concern about Johnson’s powers of persuasion. Originally screened at the Los Angeles Independent Film Exposition (FilmEx) in 1980 and unseen since its U.S. premiere, we are honored to revive Dread Beat an Blood for L.A. audiences in a beautiful new restoration.

“One of the most powerful examples of the pervasive influence that Jamaican and reggae culture had on 1970s England.” -Ink 19

“A GEM... A portrait of the artist as principled activist.” -Sasha Frere-Jones, 4Columns

Total runtime: 72 min.

In English and Jamaican patois. Special thanks to Gabriele Caroti (Seventy-Seven) and Pauline Kraatz.


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